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  • Ruslan 3:16 pm on February 4, 2010 Permalink | Reply
    Tags: burleigh smith, feature films,   

    Burleigh Smith interview 

    Yay! Burleigh Smith said yes to an interview. And Perth has an indy rom com feature in the works. And PAC will be reading Mr. Smith’s script in March. And the neighbors have stopped their eight hour hammering of the drill with a compactor marathon. It’s all going to be alright.

    If you are yet to see any of Burleigh’s stuff, be sure to watch the YouTube embed below, then read the interview, then join in the enthusiasm.


    “What do you do?

    Write, direct and act!

    Screenwriting is my favourite part of the process and is where I am most creative.

    To me, directing and acting is routine. I have a very simplistic visual style. I’m happy just to set the camera up on a tripod and cover the scene in one or two shots.

    I really don’t like fancy camerawork and fast-paced editing. It doesn’t really serve my stories and it draws out the post production process. I edit my own work too. I don’t enjoy it but I’m too precious to let anyone else cut my work.

    I rarely seek input from others in terms of screenplay. I know the stories I wish to tell and the most effective ways in which to do so. I ought to – I’ve spent my life watching thousands of films from all over the world.

    I’ve worked with some of Perth’s top directors of photography and am always willing to receive input from them in terms of shots.

    To me, acting’s really about delivering lines in the most naturalistic, understated manner possible. I work with actors who don’t really need directing. Sarah Louella and Ben Young are both excellent.

    What are you doing next?

    I’m writing and shooting my first feature later this year. It’s titled “Gemini” and it’s a romantic comedy where I play a man with bipolar disorder.

    Can you describe your writing/pre-prod process?

    I think about my various screenplays constantly and I am forever writing down ideas on scraps of paper and putting them into folders. When the ideas are developed, I sit down and write.

    The folder for “Gemini”, my feature, is packed with hundreds of notes that I’ve amassed in the past eighteen months. I never suffer writer’s block because I only write when I’m ready. It usually only takes a couple of weeks for me to write a short and three or four months to write a feature. And I usually only write the one draft.

    Preproduction is just organising. Not much fun. Organising a cast and crew, locations, costumes and props. Getting permission, hiring equipment, dealing with last-minute dramas. Fun and games.

    I often work with the same group of people. Mat de Koning is a close collaborator, Greg Higgs, Brendan Dee and Laetitia Belen are often involved too because they’re good. So many others have let me down in the past and so I can never entrust them again!

    I’ve shot on a variety of formats, including 8mm, 16mm, SD and HD. Will probably be shooting my feature on RED. But to me, the camera is just a tool. It’s the story that matters most.

    I’m hoping to screen my feature at the Perth International Arts Festival in 2011.

    Perth….are we all doomed to boil to death here?

    I love Perth and don’t have many complaints. If I did, I’d move elsewhere. I’d love to see sensible allocation of government film funds but that’s too much to hope for.

    There are some interesting young filmmakers in this state. I’m expecting big things in the future from de Koning, Templeman, Hilditch, Webb, Jack, Young, Inglis and McCann, to name a few.

     
  • Ruslan 5:05 pm on February 2, 2010 Permalink | Reply
    Tags: gamejam games   

    The Perth Game Jam was held this weekend and looks to have been a mighty success. Five teams completed games, click the pic below to visit the site where you can download them.

    From the site; “Gamejam is a randomly occurring event, designed to encourage game developers to collaborate and produce computer games. It provides an outlet for experimental gameplay and artistic creativity.

     
  • Ruslan 1:48 pm on January 27, 2010 Permalink | Reply
    Tags: liam underwood,   

    Lovely new Liam Underwood video 

    Liam Underwood shoots some hot monkey action. Who else out there is getting pictures of this guys caliber?

     
  • Ruslan 12:27 pm on January 25, 2010 Permalink | Reply  

    SWEAT lives 

    Mister Trivia says, ‘Dunno if this is your kind of thing but ABC 3 is rerunning the 1996 series SWEAT.’

    From the FB group, “It features 17 year-old Heath Ledger in his first leading role as the cyclist Snowy Bowles”. You can’t make this stuff up, is that the right phrase here?

    sweat

    Darn tootin’.

    Here’s the FB group. Go there for times, dates and fellowship.

     
  • Ruslan 1:26 pm on January 21, 2010 Permalink | Reply
    Tags: Henry & Aaron   

    Catching Up with Henry & Aaron: The Yarrising 

    Bring on the series!

     
  • Ruslan 12:55 am on January 18, 2010 Permalink | Reply
    Tags: amicko films   

    Amičko Films Interview 

    2010 looks really promising for film in Perth, and one reason for that is Amičko Films. Marketing has gots to be the veritable chink in the filmmakers armour. This is where Amičko steps in (it’s pronounced a-MITCH-ko). Brains? caught up with Amy from Amičko to get the who and the what. Visit the website here and fan them on the old FB here.


    What kind of projects should be approaching you for representation?

    Everything, including high quality schools’ works. Features, genres, shorts, docs, I’ll work on anything if it’s good. There is a pathway for launching every film, but each one needs it’s own unique approach. And no, just submitting to the top 30 film festivals is not a marketing plan.

    Things that can start the ‘I won’t touch your film with a ten foot pole’  bell ringing in my head can be:

    - After asking a film maker what their film is about they reply: ‘Oh its great, you’ll love it, it’s fantastic’. No info, no interest.

    - Often if the film has been a one man job, writer, director, editor – more often then not it’s well… pretty lame.  All art needs outside influences, everyone needs to learn from one another and gain perspective.

    - A short film which isn’t short for the right reasons, eg: it’s a sort due to lack of funding or story development. Shorts shouldn’t just be used as practice, they can be a highly entertaining and powerful medium; learn what makes short films ‘work’.

    - Genre films which don’t really fit nicely into a genre. Often I’ll see a horror/comedy and it is neither horrifying nor funny, do one thing and do it well.

    -Lastly, if a producer is aiming for telesales and are not willing to fit in with the distributor’s needs. Have a 52 min and 90 min cut of your film, as TV companies can easily look elsewhere for someone who is ready and willing.


    At what stage of production should producers contact you?

    I’m always happy to learn about what’s coming up, so even when you’re in pre production, please drop me a line and say hi. I’m very happy to answer any questions film makers may have and give some free advice.

    However, I won’t commit to a film until I’ve seen the final cut. I greatly rely on my industry connections, if I send them an average film once, I’ll never be able to send them a film again, it’ll be the fastest way to kill my business. So late post production would be an ideal time and before your first screening, as premier status and whom you give it to is very important!

    What portion of budgets should be put into marketing?

    ANYTHING! I have been truly shocked at the lack of education there is regarding marketing and budgets. I rarely meet a indie film maker who actually has a marketing budget let alone a practical one, and it’s not their fault as there is not an institution in WA which fully prepares you for this. To loosely quote Rich Dad, Poor Dad: Most people are one skill away from a million dollars… do what you already do, but learn how to market and learn how to sell.

    Usually the marketing budget is unfortunately the first expense to go, and frankly that’s insane! Does the money you invest in your make-up artist come with a possible return? I dont think so. The bare minimum, for either a short or feature is $2,000 per every six months of marketing, and that is literally for festival submission fees and postage alone! This money must to be ready right at the end of production too, you can’t waste months hoping that more funding will come along. If you don’t make an impression on the industry asap they will move on to something newer, bigger and better.

    So seriously, if you can’t spend $2k on marketing, then you might as well pay your cast and crew, not make a film and go home and have a cuppa.


    Can you give us a loose idea of how your 4 year business plan for Perth film might take shape?

    At the moment, it’s a work in progress. Personally I feel it’s naive and extremely hard to predict or plan for anything, everyone always wants the best opportunity on offer at the time, and I have no idea what opportunities will be available in 12 months.

    What I am passionate about is filling the gap in education of film marketing and economics, and seeing more Australian films overseas and succeeding in the international market place.

    So education will be a big part of Amičko Films in the near future, I hope to offer both film marketing mentoring and internships with the business. Work with new technologies for distribution and hopefully get Pay Per View on my site, so local film makers can start earning money through a non-exclusive agreement. Get the Amičko international representative network firing. This means we will have a professional in each continent to persoanly represent our clients at film markets and festivals – meaning we can be everywhere at once and dont have to worry about travel costs.

    I am currently planning a free marketing seminar to be held in the near future, so keep an eye out!  I’m also working on two new film events for Perth, the likes of which have not yet been seen in Australia, but I have them to keep it hush hush for now. So it’s looking at being a very busy start to the new decade, and hopefully a very prosperous one for the WA film industry.

     
  • Ruslan 11:33 pm on January 7, 2010 Permalink | Reply
    Tags: cinema, , yelpar   

    YeLPar a lovely post on Perth City’s ol… 

    Ambassadors Theatre

    YeLPar has a lovely post on Perth City’s old, gone cinemas. Sweet nostalgia.

    http://yelpar.blogspot.com/2010/01/old-perth-6.html

     
  • Ruslan 12:00 am on January 4, 2010 Permalink | Reply
    Tags: last chance studios, ,   

    Check, Check 

    What better way to ring in the new year (and test the fancy new theme) than with a quick Youtube update. Here’s some stuff from Last Chance Studios, Stuart Bender and Pogo…….

     
  • Ruslan 4:43 pm on December 14, 2009 Permalink | Reply
    Tags: , movies by burswood   

    New Kane George Jason Work 

    Kane George Jason’s new short FRACTURED is screening down at Movies By Burswood before the new Ken Loach movie, LOOKING FOR ERIC. The FB event page is here…….

    It’s all for the kids so get down there.

     
  • Ruslan 10:30 am on November 16, 2009 Permalink | Reply
    Tags: , damien blythe, david carson, john reed, , wa3d   

    Dave Carson – WA3D 

    WA3D is David Carson and John Reed. They shoot stereoscopic 3D in and around WA and have lots of cool stuff up on their Vimeo page.

    Here are quick bios of the main protagonists……

    David Carson is a new media artist based in Fremantle. He is currently Artist in Residence at Horizon The Planetarium, in Perth. He has been an active advocate of 3D stereoscopic video in Western Australia since 1996. You can find him at davecarson.net.

    John Reed is film maker, musician, geologist. He has been involved in commercial video production via his production company Geopix. He is currently developing several TV documentary projects.

    Please tell us, what have you done and what do you do?

    We have worked on 3D projects all over Australia but most have been focused on W.A., such as filming the Garnduwa Aboriginal festival in the Kimberly in 3D.

    We are talking about Sereoscopic 3D imaging as in the new film Avatar by James Cameron or even A Christmas Carol 3D, starring Jim Carrey. These are full-colour films using polarising glasses to see in 3D.

    3D anaglyphs are the red and blue glasses version – you have to process the left and right video clips to see with those old style 50’s glasses, works for monitors and TV or single projectors.

    We capture material with two cameras, synchronise left and right fields and use one of the many methods of viewing 3D.

    Stereo Pairs (stereoscope: separate display for each eye)
    Shutter glasses (most common method)
    Color filter glasses (used in some old 3D movies)
    Polarizing glasses (used in some modern 3D movies)

    We have been doing a lot of timelapse in 3D around Perth, some bands in 3D at the Fly By Night Club in Fremantle and there are a few other interesting projects on the horizon.

    We do it because it’s difficult, new(ish) and fun. Plus 3D TV is the new black!

    Where can we get some 3D specs?

    Ask Damien Blythe at the new screen in Northbridge Piazza
    Damien.Blythe@cityofperth.wa.gov.au

     
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